Belief as Willingness to Bet

We investigate modal logics of high probability having two unary modal operators: an operator $K$ expressing probabilistic certainty and an operator $B$ expressing probability exceeding a fixed rational threshold $c\geq\frac 12$. Identifying knowledge with the former and belief with the latter, we may think of $c$ as the agent's betting threshold, which leads to the motto "belief is willingness to bet." The logic $\mathsf{KB.5}$ for $c=\frac 12$ has an $\mathsf{S5}$ $K$ modality along with a sub-normal $B$ modality that extends the minimal modal logic $\mathsf{EMND45}$ by way of four schemes relating $K$ and $B$, one of which is a complex scheme arising out of a theorem due to Scott. Lenzen was the first to use Scott's theorem to show that a version of this logic is sound and complete for the probability interpretation. We reformulate Lenzen's results and present them here in a modern and accessible form. In addition, we introduce a new epistemic neighborhood semantics that will be more familiar to modern modal logicians. Using Scott's theorem, we provide the Lenzen-derivative properties that must be imposed on finite epistemic neighborhood models so as to guarantee the existence of a probability measure respecting the neighborhood function in the appropriate way for threshold $c=\frac 12$. This yields a link between probabilistic and modal neighborhood semantics that we hope will be of use in future work on modal logics of qualitative probability. We leave open the question of which properties must be imposed on finite epistemic neighborhood models so as to guarantee existence of an appropriate probability measure for thresholds $c\neq\frac 12$.Comment: Removed date from v1 to avoid confusion on citation/reference, otherwise identical to v

The story of Oh: the aesthetics and rhetoric of a common vowel sound

Studies in Musical Theatre is the only peer-reviewed journal dedicated to musical theatre. It was launched in 2007 and is now in its seventh volume. It has an extensive international readership and is edited by Dominic Symonds and George Burrows. This article investigates the use of the ‘word’ ‘Oh’ in a variety of different performance idioms. Despite its lack of ‘meaning’, the sound is used in both conversation and poetic discourse, and I discuss how it operates communicatively and expressively through contextual resonances, aesthetic manipulation and rhetorical signification. The article first considers the aesthetically modernist work of Cathy Berberian in Bussotti’s La Passion Selon Sade; then it considers the rhetorically inflected use of ‘Oh’ to construct social resonance in popular song;finally, it discusses two important uses of the sound ‘Oh’ which bookend the Broadway musical Oklahoma!, serving to consolidate the allegorical and musico-dramatic narrative of the show

Temperature Dependence of the QCD Coupling

We present a one-loop calculation of a gauge invariant QCD beta function. Using both momentum and temperature renormalization group equations we investigate the running coupling in the magnetic sector as a function of temperature and momentum scale. At fixed momentum scale we find that, in contrast to $\lambda\phi^4$ or QED, high-temperature QCD is strongly coupled, even after renormalization group improvement. However, if the momentum scale is changed simultaneously with temperature in a specified manner, the coupling decreases. We also point out in what regime dimensional reduction occurs. Both the cases $N_f$ smaller and larger than $\frac{11}{2} N_c$ are discussed.Comment: 10 pages, LaTeX (5 postscript figures available), ITFA-93-11,THU-93/0

Critical Temperature and Amplitude Ratios from a Finite-Temperature Renormalization Group

We study \l\f^4 theory using an environmentally friendly finite-temperature renormalization group. We derive flow equations, using a fiducial temperature as flow parameter, develop them perturbatively in an expansion free from ultraviolet and infrared divergences, then integrate them numerically from zero to temperatures above the critical temperature. The critical temperature, at which the mass vanishes, is obtained by integrating the flow equations and is determined as a function of the zero-temperature mass and coupling. We calculate the field expectation value and minimum of the effective potential as functions of temperature and derive some universal amplitude ratios which connect the broken and symmetric phases of the theory. The latter are found to be in good agreement with those of the three-dimensional Ising model obtained from high- and low-temperature series expansions.Comment: 14 pages of LaTeX. Postscript figures available upon request form [email protected]

A generating functional for ultrasoft amplitudes in hot QCD

The effective amplitudes for gluon momentum p<<gT in hot QCD exhibit damping as a result of collisions. The whole set of n-point amplitudes is shown to be generated from one functional K(x,y;A), in addition to the induced current j(x;A).Comment: 7 pages, no figure (some comments added